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Nayland Blake (born 1960 New York, NY) is an artist whose mixed-media work has been variously described as disturbing, provocative, elusive, tormented, sinister, hysterical, brutal, and tender.〔Valdez, Sarah: (''Nayland Blake at Matthew Marks'' ); Art in America, 2004 September〕〔Rush, Michael: (''Nayland Blake at Mattche Marks'' ); Art in America, 2000 September〕〔Davies, Lillian: ; Artforum, 20 July 2006〕 Among his most famous pieces are a log cabin made of gingerbread squares fitted to a steel frame entitled ''Feeder 2'' (1998). When it went on display at the Tang Teaching Museum and Art Gallery, visitors furtively nibbled off bits and pieces of the cabin’s interior walls, while the smell of the gingerbread filled the gallery. Another well-known work is ''Starting Over'' (2000), a video of the artist dancing with taps on his shoes in a bunny suit made to weigh the same as his lover, Philip Horvitz. The suit was so heavy that Blake could hardly move as he took choreographic directions from Horvitz offstage.〔 〕 ''Gorge'' (1998) is a video of the artist sitting shirtless being hand fed an enormous amount of food for an hour by a shirtless black man from behind.〔 〕 In 2009, a live version of ''Gorge'' was staged in which audience members fed Blake.〔 His work often incorporates themes of masochism.〔 ''Gorge'' follows two other major threads of Blake’s work: his biracial heritage—the artist’s father was black—and his pansexuality.〔Johnson, Paddy: (''The Guys We Would Fuck: An Interview with Nayland Blake'' ); Art Fag City, 24 June 2008〕 Blake has had solo museum exhibition at the Tang Museum and was included in the 1991 Whitney Biennial and that museum’s infamous ''Black Male: Representations of Masculinity in Contemporary American Art'' exhibition in 1994.〔Hood, Carra Leah: ''Nayland Blake’s ‘Invisible Man’''; Yale Journal of Criticism vol. 8, no. 2 (1995), pp. 131-147〕 Maura Riley curated a retrospective of 30 years of Blake's art, "Behavior," which was presented in late 2008-early 2009 at Location One in New York City.〔 〕 His work is in the collections of the San Francisco Museum of Modern Art, the Whitney Museum of American Art, the Walker Art Center, and the Des Moines Art Center, among others.〔LGBTQ America Today: An Encyclopedia Hawley, John C ed. Greenwood Press, 2008〕 He is represented by the Matthew Marks Gallery, and lives and works in New York City. ==Selected One-Person Exhibitions== *''FREE!LOVE!TOOL!BOX!'', Yerba Buena Center for the Arts, San Francisco〔http://visityerbabuena.org/events/nayland-blake-freelovetoolbox/#.VifH_rQ7n8s〕 *''Nayland Blake, Some Kind of Love: Performance Video 1989-2002'', Center for Art and Visual Culture, University of Maryland, Baltimore. Traveled to The Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY.〔https://tang.skidmore.edu/exhibitions/169-opener-3-br-nayland-blake-some-kind-of-love-performance-video-1989-2002〕 *''Hare Attitudes'', Contemporary Arts Museum, Houston〔http://camh.org/exhibitions/nayland-blake-hare-attitudes#.VifICLQ7n8s〕 *''The Schreber Suite'', MATRIX Gallery, University of California, Berkeley Art Museum〔http://bampfa.berkeley.edu/exhibition/125〕 *''Inscription'', XS Gallery, Western Nevada Community College, Carson City, NV. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Nayland Blake」の詳細全文を読む スポンサード リンク
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